76% of children consider themselves ‘fans’ of something, reveals KI study

Family-focused strategy agency Kids Industries has detailed new global research into sentiments around fandom.

The study reveals that 41% of children want to be more creative, play and have fun with their favourite brands. 22% were looking to create fan art about their brand, 19% want to more actively engage with fandom communities and 19% are hoping to shape the trajectory of the brands they love.

“Our latest study paints a clear picture – the number of children considering themselves a fan of something is increasing,” said Jelena Stosic, Strategy Director at KI.

“76% of children worldwide – rising to 90% in India – now consider themselves fans of something, highlighting the immense potential for brands to harness this passion. Compare that to our Global Study figures a year ago – though aged 6 to 13 rather than 6 to 14 in this study – and we can see there’s been a 13% increase. The issue, however, is the overflowing landscape of content. Young people are bombarded with choices, making it harder than ever for brands to capture their attention and hearts.

“While children have access to more content than ever before (with the study finding 61% of parents even praising its quality), 70% also struggle with information overload, making it crucial for brands to stand out. Furthermore, 43% of parents say that their child finds it hard to focus and 34% went on to say that their child almost never watches a full episode from start to finish. So, what can brands do to cut through the noise? The answer lies in creating genuine human connections, being more open to co-creations and fan influence and generating immersive and social experiences. After all, our study found that 98% of children’s fandoms involve people, often seen as cool, happy, friendly, inspiring and brave.”

Looking ahead, the study found that 31% of children hope to experience their fandoms in new ways. 29% would like opportunities to deepen their knowledge and connect with others and sharing with family and friends will be a significant driver of engagement.

Stosic concluded: “The attention scarcity we experience today is changing the way fandoms are built. To build and harness the strongest fandoms, brands need to focus on key opportunities that give higher emotions, attention and, therefore, build memories, too: being more personal, more open, more immersive and social.

“Fandom unites across generations, and by understanding the core emotional drivers, brands can unlock powerful opportunities to connect with young audiences in meaningful ways. Developing fans doesn’t come without its challenges – it’s a complex topic – but together with our service – The Fandom Model – and accompanying insights, we can help brands to activate a number of levers and better engage their audiences.”

–

To stay in the loop with the latest news, interviews and features from the world of toy and game design, sign up to our weekly newsletter here

More Recent News

Our top 10 most read interviews of 2024

This year’s top 10 features interviews with Exploding Kittens’ Matthew Inman, Hasbro’s Angus Walker and Jazwares’ Magdalena Eichhorn.

AMIGO to meet game inventors at Mojo Pitch 2025

“We are thrilled to be back at the Play Creators Festival in 2025,” said AMIGO’s Alessandro Montingelli.

Think Influence eyes toy partners for Fisch

The popular Roblox game launched earlier this year and has over 800,000 concurrent users.

Transformers Age of the Primes figures land on Hasbro Pulse

The Transformers Age of the Primes Titan Class Thirteen Star Optimus Prime figure comes with a cannon blaster, shoulder blasters, and the Zodiac orb.

People of Play welcomes Shannon Swindle as Director

“I look forward to creating meaningful experiences, celebrating the work of toy and game designers and continuing to support the incredible people in this industry that I love so much,” said Swindle.

Rubies readies UK launch for Bluey costumes

“We are confident that Rubies’ new Bluey dress-up options will be popular with families on this side of the world, after the positive reception they received in Australia,” said Anita Majhu, Head of Licensing (Softlines) at BBC Studios.