Interview

We caught up with Deanne Owen, senior designer at Ginger Fox, to learn more about the firm’s approach to game design and why Love Island was a great fit for the firm’s design team.

We caught up with Plum’s commercial director, Paul Schaffer, to find out more about the company’s approach to design.

The transformation aspect to Scuff-a-Luvs is so complex that Worlds Apart had to design and build a custom manufacturing process, as no one had done this with plush before.

We caught up with AIPEX CEO Frank Reijnen to learn more about the benefits of using AIPEX as a single-service provider rather than using multiple providers in different markets.

With a set of expansion packs available on Kickstarter, we caught up with Pike to learn more about the game’s distinct look and what’s next for the Escape the Dark brand.

Atkin’s new creation, Smartibot, aims to give users hands-on experience with A.I.

We caught up with Storyball’s chief of product, Meir Biton, to find more about why tech toys and products that encourage kids to get active don’t have to be mutually exclusive.

We caught up with McGettrick to find out more about the origins of Fugglers and why Spin Master is the perfect partner for the brand.

Chris Naylor, senior product designer for the Ridley’s team, tells us about the design process behind Ridley’s Games, and why 2018 looks set to be a standout year for the brand.

With a portfolio spanning kitschy family-friendly games, crunchy Euros, jazzy puzzlers and wargames, we spoke with Braincrack Games founder Lewis Shaw about the elements that unite the firm’s output.